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Sarah Tyrrell

Sarah Tyrrell

Opera, Vocal and Classical Contributor

Since 2004, Dr. Sarah Tyrrell has been part of the Musicology faculty at the UMKC Conservatory of Music. In 2003, she completed doctoral work at the University of Kansas and also holds degrees in music history and voice performance from the New England Conservatory of Music and Kansas State University. At UMKC, Sarah teaches undergraduate and graduate classes in music history and world music, as well as graduate seminars on American and Latin American musics. Sarah has presented her research locally and nationally (her research specialty is the art music of Brazil) and actively guest lectures about town on Brazilian popular subjects such as samba and bossa nova. Her articles and reviews have appeared in Musical Quarterly, Latin American Research Review, and Latin American Perspectives.

Sarah is also active in the Kansas City choral music scene: she is the Artistic Director of the Metropolitan Chorale of Kansas City and also sings soprano with the group. This 60-voice ensemble presents four concerts each year and recently completed a performance tour of Brazil.

Julius Caesar delivers

Sat, Nov 08, 2008

Julius Caesar delivers

Make no mistake about it: Kansas City opera-goers were ready, and based on their enthusiastic reception, I believe waiting, for Baroque opera.

Kansas City Chorale holiday concert: Laud to the nativity

Wed, Dec 17, 2008

Kansas City Chorale holiday concert: Laud to the nativity

The Kansas City Chorale holiday concert featured Ottorino Respighi’s Lauda per la Nativita per Signore but also brought to light a handful of other remarkable choral gems.

In Good Company: Chen Yi, Chanticleer and Shanghai Quartet

Wed, Jan 21, 2009

In Good Company: Chen Yi, Chanticleer and Shanghai Quartet

he program was packed with stimulating pieces that required much of the listener and that proved great works of art present many questions while offering valuable dividends.

Danielle de Niese, soprano, with Cameron Stowe

Mon, Feb 09, 2009

Danielle de Niese, soprano, with Cameron Stowe

The program was a sequence of thoughtfully chosen pieces that allowed de Niese to exercise all of the carefully honed expressive devices in her arsenal, from dynamic vocals to effusive facial expressions and sweeping gestures.

Love, loyalty and loss at the Lyric: A successful Traviata

Mon, Mar 16, 2009

Love, loyalty and loss at the Lyric: A successful Traviata

What held an audience’s attention in nineteenth-century opera houses works just as well for the twenty-first: love, loyalty and loss, combined with miscommunication and betrayal, are still the ticket.

Pirates with a softer side

Tue, Apr 28, 2009

Pirates with a softer side

It must be true that people flock to movies, concerts and theater for escape during trying economic times, because more than 1,000 people came to Gilbert and Sullivan's "The Pirates of Penzance" on a warm April evening, even as other spring activities competed for their attention.

A pop music odyssey with Heartland Men's Chorus

Tue, Jun 16, 2009

A pop music odyssey with Heartland Men's Chorus

There is a reason that this is one of the most well supported choral groups in the city: they deliver spirited performances, clever (at times risky) programming, and always a surprise or two.

Beyond expectations: "Tosca" is world-class

Mon, Sep 14, 2009

Beyond expectations: "Tosca" is world-class

At its turn-of-the-century premiere, "Tosca" was perceived as particularly coarse and was criticized for a focus on ill-mannered tyrant types and for pervasive brutality. It seems, though, that Kansas City opera-goers do not mind such decadence: just as the opera did in Italy in 1900, "Tosca" opened to a packed house at Kansas City's Lyric Theater last Friday night.

"H.M.S. Pinafore" is a great escape

Tue, Nov 10, 2009

"H.M.S. Pinafore" is a great escape

There is nothing like a Gilbert and Sullivan getaway to escape reality and "H.M.S. Pinafore" handily transports an audience. In the world of the G and S operetta, social class conflicts are easily resolved, baby farming is explained without difficulty and the coarse language of everyday is discouraged in favor of refined, elegant dialogue.

A stacked cast makes "Porgy and Bess" a rare treat

Wed, Mar 03, 2010

A stacked cast makes "Porgy and Bess" a rare treat

"Porgy and Bess" is such a slam dunk-in some circles branded the most important 20th century American opera-that in any production, one is certain to find something to write home about. With cleverly combined story lines of betrayals, drugs, and murders, the story almost tells itself.

Love, spring and a world premiere

Tue, Mar 09, 2010

Love, spring and a world premiere

Charles Bruffy and the Kansas City Chorale staged a spring concert this weekend. The "Sing to Love" theme combined with timely references to the eagerly-awaited season nicely colored the lengthy program. The ensemble sounded in top shape and delivered a diverse yet thoughtfully unified collection of memorable pieces.

Cool start, sensational finish

Mon, Mar 22, 2010

Cool start, sensational finish

The snow storm on Saturday night cast a potent curse on the Lyric Opera's performance of Verdi's "Rigoletto." The production was, however, worth the extra effort it took to navigate treacherous roads to downtown, and Kansas City was again fortunate to enjoy world-class performances from star singers.

Cool start, sensational finish

Tue, Mar 23, 2010

Cool start, sensational finish

The snow storm on Saturday night cast a potent curse on the Lyric Opera's performance of Verdi's "Rigoletto." The production was, however, worth the extra effort it took to navigate treacherous roads to downtown, and Kansas City was again fortunate to enjoy world-class performances from star singers.