June 16, 2010, Featured Articles, Film
"Sweetgrass"
This lifeless documentary focuses more on sheep than the supposed cowboys who shepherd them.
In the words of Willie Nelson, “Mommas don’t let your babies grow up to be cowboys.” Despite his warning, mommas shouldn’t be worried because the age of the cowboys doesn’t exist anymore. And nowhere is this more exemplified than in the sheep ranching documentary Sweetgrass.
Filmed between 2001-2003, Sweetgrass delivers an unremarkable look at the last sheep drive through the rugged, yet breathtakingly beautiful Beartooth Mountains of Montana. Before the 150-mile drive of 3,000 sheep begins, we bear witness to the backbreaking work of sheering sheep, which is oddly done in winter, and the time-demanding efforts of lambing.
After driving their herd through narrow forest passes and treacherous rocky slopes, sheep herders John Ahorn and Pat Connelly reach the broad green valleys that their sheep will graze on for several weeks. Bears, weather and injuries present constant challenges to the two men as they struggle to keep the herd intact.
John is the typical wizened, Marlboro smoking cowboy who likes to sing old cowboy songs while on horseback. Pat gets excited over arrowheads, yells hilarious profanity-laden tirades against the sheep, and literally cries to his momma on his cell phone.
Sweetgrass was made by husband-and-wife anthropologists Ilisa Barbash and Lucien Castaing-Taylor; and their lack of filmmaking talent shows. Their film is devoid of narration, music and soul. For example, instead of presenting us with insightful conversations between the two men, we see them mostly sitting around in silence. In fact, most of the dialogue between human beings in Sweetgrass comes in the form of half-garbled squawks via walkie-talkies.
Sure, we get a hint of the rugged lifestyle that cowboys used to lead, but it’s nothing more than that. You can get a much better grasp of it by looking at a western-themed cigarette ad in a magazine at the dentist’s office.
Of course the icing on the cake is the ever present “baaaaaas” of the sheep. It’s worse than the horns that are constantly being blown during World Cup soccer matches in South Africa. I’m sorry Dr. Lecter, I can still hear the lambs crying in the night.
On a letter grade scale from A being excellent to F for failing, Sweetgrass receives a C-.
Sweetgrass is unrated and has a running time of 101 minutes.
Now showing through June 17 @
Tivoli Cinemas
Westport Manor Square, 4050 Pennsylvania, KCMO
Visit www.tivolikc.com or call 913-383-7756 for show times.
More Featured Articles
KC Events this week and beyond
Looking for something to do this weekend? Click here for the KC Events calendar of theatre, classical music, dance and jazz events through 2011. Highlights of this week's classical music and dance offerings are in Don Dagenais' "City Classics." For current Theatre listings visit Victor Wishna's "City Stage." Enjoy!
A finale full of sound and fury
Two 20th century works and a favorite Romantic piano concerto capped off the Kansas City Symphony’s concert season last weekend. The overwhelmingly jovial program of all-Russian music celebrating man’s pure spirit, happiness and freedom was certainly a crowd-pleaser and left me feeling excited for next season with the Symphony.
Dual choruses take the stage with American music
Last Saturday night at the Folly Theater saw an enthusiastic and supportive crowd for the Heartland Men's Chorus’s joint effort with the Portland Gay Men's Chorus. These ensembles presented a wide offering of American music sourced from patriotic and traditional tunes to African- Mexican- and Native-American folk music.
Courageous programming for Musica Vocale
Musica Vocale’s final local concert of the season showcased Aaron Copland’s Four Motets and Arthur Honegger’s King David. This was challenging music, not only for the musicians, but for the audience as well. Those expecting to hear sounds similar to Appalachian Spring and Pacific 231 were probably disappointed, but the Motets and King David were worth the listen.
Mozart’s death mass brought to life
The Kansas City Chamber Orchestra closed their concert season last Friday with an ambitious program featuring Mozart’s legendary "Requiem in D minor." A work shrouded in mystery and intrigue, this was the star of the concert under the direction of Bruce Sorrell, the Kansas City Chamber Orchestra and a combined chorus comprised of members from the Village Presbyterian and St. Paul’s Episcopal Churches, and Grace and Holy Trinity Cathedral.
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