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September 21, 2011, Featured Articles, Local Arts News

Kauffman Center Open House: A photo essay

By Topher Levin   Mon, Sep 19, 2011

Classical editor Topher Levin snapped some shots of Sunday's open house at the Kauffman Center for the Performing Arts. With over 50,000 in attendance, the event drew 2.5 times more eager citizens then originally anticipated despite the rainy weather.

Kauffman Center Open House: A photo essay

 

A bustling scene of cars and people greeted me as I approached Kansas City’s new Kauffman Center for the Performing Arts on Sunday afternoon. The unusually heavy crowds and traffic were a result of a public open house celebrating the Kauffman Center’s grand opening. Despite a dreary fall day and intermittent rain, the public had turned out in large numbers to get a look at the city’s new performing arts complex which took sixteen long years to bring to fruition.
Broadway traffic outside of KCPA (Photo by Christopher Levin)
Traffic on Broadway Boulevard near the newly constructed I-670 bridge resembled a quintessential Friday rush-hour scene. The additional demand on the roadway even prompted police to direct traffic at the intersection of Broadway and South Truman Rd.   
KCPA Open House lines (Photo by Christopher Levin)
The KCPA had initially anticipated 20,000 visitors to its open house. A Downtown Community Improvement District (DCID) Officer told me the event had surpassed the 10,000 mark by early afternoon for an event that would last until 6:00 pm. A KCPA event volunteer told me some visitors were already queuing up for the event when she arrived at 9:00 am Sunday morning to prepare for the open house, which began at 11:00.
End of the KCPA lines (Photo by Christopher Levin)
Despite a light rain early in the afternoon, there was still an hour-and-a-half wait just to get into the building, in a line stretching around the complex. Though some visitors threw in the towel at that point, many others stayed.  
Entry lines for KCPA (Photo by Christopher Levin)
Later, as the rain stopped the wait grew to approximately two hours, three large lines stretched all around the complex and merged on the east side on Wyandotte Street. The mood of Sunday’s visitors seemed upbeat despite the weather and the wait.
 Kauffman Center southeast corner (Photo by Christopher Levin)

Closer to the building, the crowds were entertained by more than a dozen performing acts on four outdoor stages. Once inside, many visitors took their time spending an hour on average exploring the new Performing Arts Center. 
Between the KCPA shells (Photo by Christopher Levin)
Moshe Safdie’s architectural design was as beautiful up-close today as it has been from afar for the last several months.
Entry lines for KCPA (Photo by Christopher Levin)
Many visitors snapped impromptu pictures of the complex with their cameraphones. Others documented the day with higher-quality cameras, while a few photographers set up their professional kits on tripods.
KCPA north entrance (Photo by Christopher Levin)
VIPs and performers for the open house’s six stages entered Brandmeyer Great Hall through a beautiful glass atrium on the north side connecting the Kauffman Center’s two steel and concrete shells.

Be sure to check out KCMetropolis' other reports on the Kauffman Center’s open house for more details on the days events.

By Topher Levin

Topher Levin

Classical Editor and Contributor

Christopher (Topher) Levin is a composer, pianist, music theorist, and music blogger based in Kansas City, MO. His compositions have been performed at music festivals across the US and in Europe. He has spent two summers in Paris, France studying music at the Ecole Normale de Musique through the EAMA program. His trio for clarinet, piano, and percussion is published in the SCI Journal of Scores.

Topher holds degrees from the University of Missouri-Kansas City (M.M.) in music theory and (M.M.) in composition and from James Madison University in Virginia (B.M.) in composition. Primary composition teachers have included John S. Hilliard, Paul Rudy, Zhou Long, James Mobberley, Chen Yi, Claude Baker, Narcis Bonet, Michel Merlet, and João Pedro Oliveira. His piano teachers have included Patricia Brady and Karen Kushner. Topher maintains a piano studio of 22 students.

Having recently completed a Master's thesis on the beautiful complexities of Chinary Ung's trio, Spiral I, Topher turned his writing attention to the more informal blogging medium. He has taken to it quite well, sharing posts on strange and wonderful music and art found across the web with a modest but growing number of blog followers. He looks forward to writing for KCM and sharing with its readers the stories of all the amazing musicians performing in Kansas City.

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