by Andrea Huckaba
Mon, Sep 28, 2009
Walking into the Unicorn Theatre, the set was lit with lamps and candles. A large bed was stage center with cushioned benches on either side, along with a few random bits of furniture. Each would be used in many different ways for many different stories. The mood was set. Runs through 10/18.
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by Diane Thompson
Wed, Sep 23, 2009
Spine-tingly sights and sounds kick off the Coterie Theatre's season opener "Tell-Tale Electric Poe." Upon entering the darkly lit theatre from the mid-day hustle and bustle of Crown Center, the atmosphere noticeably changes. Grim and ambient metallic music fills the room.
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by Diane Thompson
Tue, Sep 22, 2009
Award-winning playwright, Peter Colley's, "I'll Be Back Before Midnight," currently running at the American Heartland Theatre, kept audience members on the edge of their seats and guessing right up until the end. Somewhere between an Agatha Christie mystery and an Alfred Hitchcock thriller, this fast-paced comedy thriller doesn't disappoint. Runs through 10/25.
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by Christopher Guerin
Mon, Sep 21, 2009
With glimpses of brilliance, the Dave Stephens Band's rendition of "If I Had You" proved to be the tightest song of the evening, featuring solid stride-piano work from Bryant, tight vocals, and a nuanced, unmuted trumpet solo from Springer. The best song of the evening, this was an aptly subtle, subdued arrangement.
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by Steve Shapiro
Sun, Sep 20, 2009
The Kansas City Repertory Theatre's presentation of "Into the Woods" under guest director Moisés Kaufman's God-like execution, brings to light the show's bedazzling interplay between the story and the songs. It is not too high praise to say that the intermission is needed so the audience can catch its breath for the second act which builds to its famous finale. (Held over thru October 11)
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by Don Dagenais
Wed, Sep 16, 2009
A player of undeniable technical skill, Lang Lang attacks the piano as if it were an opponent to be conquered. Thumping the bass keys, pounding at the treble keys, and taking every advantage to emphasize rhythm and syncopation, he has a mannered, almost violent interpretation of every piece.
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